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Selected Descent D

2019

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Performed live in the event 'Brick & Mortar' part of Strange Love festival, Brewery Tap Project Space, Folkestone.

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Soil, saliva, duct tape and wooden plank.

Small acts of spitting and churning making way for a final action.

 

Legs bound, fall embraced. 

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Photographs by Josh Jordan

Untitled

2018

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Performed to a live audience, Orbyhus, Sweden part of REVOLVE festival Performance Art Days 

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Building up and forward towards an intended backwards descent, resulting in structural collapse and eventual residue which was held for a period of time in through stillness

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Photographs by Marcel Van Helvoort

 

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Engine Oil and Brick Fragments

2018

Performed live to camera, London.

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Brick fragments & Engine Oil

Body and face to the floor, moving forward.

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Self built intimacy between artist and chosen material. As a result of this, leaving residue on the body and floor as not only evidence but a measurement of the physical process.

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Photographs by Nigel Rolfe

tree, rope, blade

2018

Performed to camera through self constructed setup, Folkestone, Kent Landscape.

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Interference of rope through hacking, resulting in voluntary descent.

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stool, rope, car

2018

Performed to camera, on a country lane, Kent UK.

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Stool leg forcibly removed through use of a car that exists outside of the frame.

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Filmed by Joel Snowman

Grunt

2018 

Collaboration with artist Ashley-Louise Mcnaughton.

 

Performed to camera, overlooking the channel, Dover, Kent UK. 

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Extension of previous action through collaboration.

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Hessian rope

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Filmed by Joel Snowman

Untitled

2017

Performed in the live event 'Here I am there you are', part of Art Licks weekend, London.

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Soot, tongue and chalk

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Photographs by Ray Ren

Untitled

 2017

Performed during live a situation, workshop, London

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Pub type stool, wonky leg, rope, brick, brick dust

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Photographs by Gustaf Broms & Nigel Rolfe

Selected Descent B

2017

Chosen, temporary support. Discarded when needed.

Performed to camera, existing as a document.

Selected Descent A

2017

Performed in the live event S P I T T I N G D I S T A N C E

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Cow-matter and turf, explored and held silently at floor level.

 

Photographs by Josh Jordan Photography

Untitled

2017

Performed in the live event 'Tobo Performance konst', Sweden.

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Gravel and earth laid out, forming desired route. Repeated, back and fourth.

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Photographs by Gustaf Broms

Dolly

2017

Performed in the live event '5 Minutes of your Time', Test-bed 1, London

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A dolly and myself, from Kent to London

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Photographs by Yi-Jung Lee

Falling Board

2017

Performed in the live event 'Work in Progress', London

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Wooden board, carried and painted

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Photographs by Nigel Rolfe

Rope Run C

2017

One of three rope runs, presented as a live work.

 

Found material & objects.

 

Ongoing series, adapting and reoccurring in and around different spaces, events and situations.

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Filmed by Ada Hao

Telegraph Pole

2016

Telegraph Pole, a failed durational work.

Essentially now existing as a series of performed photographs. 

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Untitled

2016

Existing as a photo sequence and/or low-res video captures a brief but inevitable descent down a hill of no particular interest.

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Pot hole

2015

The short video 'Pot hole' utilizes an exhausted road space. By exhausted I mean; 

 

A pot hole is truly exhausted in the sense they seem to serve nothing more than a potential threat. They are unwanted, the only value associated with them seem to be faith in solution from a community or individual.

 

Human routine is excercised however divorced from a 'usual' setting.

'Pot hole' (Preview)- 2015

Runtime: 00:01:27

Dimensions: 1920 x 1080

 

I would prefer not to 

2015

'I would prefer not to',  is excercised through an oddity with in a Kent landscape.

 

A degree of task performing is carried out but with enevitable complications.

'I would prefer not to' (Preview)- 2015

Runtime: 00:00:56

Dimensions: 1280 x 720

Pond Dregs

   2014

'Pond Dregs' (Preview) - 2014

Runtime: 00:00:56

Dimensions: 1920 x 1080

The exclusive duck pond located in Folkestone, Kent, lower Radnor Park, held tales of filth and tittle-tattle rumour, enough to warrant intrusion.

 

A simple excercising of rights are carried out according to what the pond (indirectly) has to offer.

 

 

 

 

 

 

 

 

 

 

 

 

 

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