Matt Mahony-Page
Selected Descent D
2019
Performed live in the event 'Brick & Mortar' part of Strange Love festival, Brewery Tap Project Space, Folkestone.
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Soil, saliva, duct tape and wooden plank.
Small acts of spitting and churning making way for a final action.
Legs bound, fall embraced.
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Photographs by Josh Jordan
Untitled
2018
Performed to a live audience, Orbyhus, Sweden part of REVOLVE festival Performance Art Days
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Building up and forward towards an intended backwards descent, resulting in structural collapse and eventual residue which was held for a period of time in through stillness
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Photographs by Marcel Van Helvoort
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Engine Oil and Brick Fragments
2018
Performed live to camera, London.
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Brick fragments & Engine Oil
Body and face to the floor, moving forward.
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Self built intimacy between artist and chosen material. As a result of this, leaving residue on the body and floor as not only evidence but a measurement of the physical process.
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Photographs by Nigel Rolfe
tree, rope, blade
2018
Performed to camera through self constructed setup, Folkestone, Kent Landscape.
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Interference of rope through hacking, resulting in voluntary descent.
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stool, rope, car
2018
Performed to camera, on a country lane, Kent UK.
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Stool leg forcibly removed through use of a car that exists outside of the frame.
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Filmed by Joel Snowman
Grunt
2018
Collaboration with artist Ashley-Louise Mcnaughton.
Performed to camera, overlooking the channel, Dover, Kent UK.
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Extension of previous action through collaboration.
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Hessian rope
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Filmed by Joel Snowman
Untitled
2017
Performed in the live event 'Here I am there you are', part of Art Licks weekend, London.
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Soot, tongue and chalk
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Photographs by Ray Ren
Untitled
2017
Performed during live a situation, workshop, London
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Pub type stool, wonky leg, rope, brick, brick dust
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Photographs by Gustaf Broms & Nigel Rolfe
Selected Descent B
2017
Chosen, temporary support. Discarded when needed.
Performed to camera, existing as a document.
Selected Descent A
2017
Performed in the live event S P I T T I N G D I S T A N C E
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Cow-matter and turf, explored and held silently at floor level.
Photographs by Josh Jordan Photography
Untitled
2017
Performed in the live event 'Tobo Performance konst', Sweden.
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Gravel and earth laid out, forming desired route. Repeated, back and fourth.
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Photographs by Gustaf Broms
Dolly
2017
Performed in the live event '5 Minutes of your Time', Test-bed 1, London
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A dolly and myself, from Kent to London
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Photographs by Yi-Jung Lee
Falling Board
2017
Performed in the live event 'Work in Progress', London
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Wooden board, carried and painted
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Photographs by Nigel Rolfe
Rope Run C
2017
One of three rope runs, presented as a live work.
Found material & objects.
Ongoing series, adapting and reoccurring in and around different spaces, events and situations.
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Filmed by Ada Hao
Telegraph Pole
2016
Telegraph Pole, a failed durational work.
Essentially now existing as a series of performed photographs.
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Untitled
2016
Existing as a photo sequence and/or low-res video captures a brief but inevitable descent down a hill of no particular interest.
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Pot hole
2015
The short video 'Pot hole' utilizes an exhausted road space. By exhausted I mean;
A pot hole is truly exhausted in the sense they seem to serve nothing more than a potential threat. They are unwanted, the only value associated with them seem to be faith in solution from a community or individual.
Human routine is excercised however divorced from a 'usual' setting.
'Pot hole' (Preview)- 2015
Runtime: 00:01:27
Dimensions: 1920 x 1080
I would prefer not to
2015
'I would prefer not to', is excercised through an oddity with in a Kent landscape.
A degree of task performing is carried out but with enevitable complications.
'I would prefer not to' (Preview)- 2015
Runtime: 00:00:56
Dimensions: 1280 x 720
Pond Dregs
2014
'Pond Dregs' (Preview) - 2014
Runtime: 00:00:56
Dimensions: 1920 x 1080
The exclusive duck pond located in Folkestone, Kent, lower Radnor Park, held tales of filth and tittle-tattle rumour, enough to warrant intrusion.
A simple excercising of rights are carried out according to what the pond (indirectly) has to offer.